A guide to Leonardo da Vinci’s handwriting…

Edith Sherwood recently posted up a webpage comparing one of Leonardo da Vinci’s abbreviations with the third character on the Voynich Manuscript’s back page. She says that this is an ‘x’ – a letter which doesn’t appear in Italian, but which Leonardo often uses to denote “ver“. Might she be right?

pox labor large 300x52 A guide to Leonardo da Vincis handwriting...

Just to be sure, let’s zoom right in on that first word: is this ‘pox‘, ‘pof‘, or ‘por‘ (etc)?

pox large A guide to Leonardo da Vincis handwriting...

Does that first letter seems oddly familiar? Let’s look at the letters in the bottom-left margin of f66r:-

y en muc mal A guide to Leonardo da Vincis handwriting...

So, the stakes are high insofar as these pieces of added writing (on f116v and f66r) both appear to be by the same hand – and so understanding one better might well also help us decrypt the other.

Anyway… for her ‘x’ claim, Edith refers us to the “Clavis sigillorum” (key to the ‘seals’ i.e. to the special symbols) on pages 1-4 of Jean Paul Richter’s (1883) “The Literary Works of Leonardo Da Vinci” (later reprinted as “The Diaries of Leonardo da Vinci”), which we can now see online here, courtesy of Cornerstone Book Publishers (who publish a zesty mix of Masonic, Esoteric & Pulp Fiction books, just so you know). In common with many other Quattrocento Florentines, Leonardo often placed a (nasalizing) bar above a, e, i, o, and u to indicate an, en, in, on, and un (or sometimes am, em, etc). But the special abbreviating symbols he used were:-

leonardo abbreviations v2 A guide to Leonardo da Vincis handwriting...

So, as you can see, Leonardo did indeed use an ‘x’-like abbreviation for ver: but is this what we see on f116v? To my eye, there’s something that doesn’t quite ring true: partly because the distinctive shape used by Leonardo is not really present - but mainly because the ‘x’-like character that is there has so clearly been emended by someone using a different colour ink.

It therefore seems very likely to me that a later owner guessed that this should read ‘pox‘ (for whatever reason) and emended it accordingly: but was this (as Edith Sherwood claims) what was originally written here? I think very probably not. So… what does it say, then?

Back in 2006, I hazarded a guess (Curse, p.27) that this line was written in Occitan and originally read “por labor a mon aut…” followed by EVA ‘och‘ (Voynichese): now, though I still suspect Occitan, my current reading (somewhat to my surprise) is that it starts with “por le bon simon s…

Lest you think this is some kind of slightly delayed April Fool’s joke (and that I’m trying to sneak in a reference to Duran Duran singer/lyricist Simon Le Bon), please be assured that it’s honestly not – “le bon simon” is simply what it seems to say in this (admittedly much-disputed) margin. Unless you know better? Look at it for yourself and feel free to post your own reading!

And finally… here’s a link to a nice little web application that transforms a message you type in into Leonardo’s handwriting. Now that you are an expert on Leonardo’s abbreviations, you should quickly realise that this fails to handle both “per“, “ver“, “di“, “br“, “ser“, “uno“, and “una” and “an“, “en” (etc) properly. Incidentally, Leonardo also replaced “j” for “i” if it was next to an “n” (so that the resulting letter-pair wouldn’t get confused with an “m“), which this (otherwise very cool) app also doesn’t handle correctly… but perhaps I’ve covered enough arcane palaeographic ground for one day, and should stop there! icon smile A guide to Leonardo da Vincis handwriting...

7 Comments

  1. avatar Jan April 12, 2009 11:56 am

    Leonardo or no Leonardo, the text on the last page is written most likely by some other hand than the VM itself. It seems improbable that Leo would be writing comments in the VM and by right hand at that. It is just another part of Sherwood forest :-) .

    Jan

    P.S. I would not be surprised if we next time hear it was written by Robbin’ Hood himself.

  2. avatar Dennis April 13, 2009 1:27 am

    o pox on all f116v nonsense! Far too much ink has been wasted on it, for all too little return.

  3. avatar nickpelling April 13, 2009 7:39 am

    Sometimes I think much the same about the VMs’ history post-1600 – have all the man-years spent trawling those archives really advanced our understanding of the VMs’ early life in any way?

    The Occitan-like marginalia (f17r, f66r, f116v) do have the particular benefit of being roughly a century earlier: so untangling their codicological knot may yet yield an enormous historical benefit!

    http://www.nickpelling.com/

  4. avatar Rene Zandbergen April 16, 2009 6:17 am

    Hi Nick,

    not unsurprisingly, probably, I beg to differ about the interest
    of the post-1600 history :) It is indeed unlikely (yet not
    impossible) to bring new information about the origin of the
    Voynich MS, but it is at least fulfilling in the sense that it is
    something we know exists (as opposed to the ‘meaning’ of
    the MS), and which also brings some new insights in other
    areas.

    On topic: I am not at all convinced about the Leonardo connection.
    In fact, I am convinced that it isn’t there and agree with your
    analysis of the f116v ‘x’.

  5. avatar Rene Zandbergen April 17, 2009 4:40 pm

    “not unsurprisingly”….

    these double negatives :(

  6. avatar tony kline February 25, 2014 5:50 pm

    I might make a case for Voynich translating as Voyez Nicht – an interesting contraction of French and German. Voyez= Behold, Nicht = Nothing. What you get from staring at gibberish too long, or at least what I got.

    http://www.poetryintranslation.com

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